The floor in her bedroom is made of wide wooden planks. The apartment is on the 8th floor of an imposing limestone building on the corner of Commonwealth Avenue, a stone’s throw from the Boston Public Garden. Pale-colored brick covers part of the faded facade—this is a building that whispers old money and summers on Nantucket and Harvard alumni. Inside, the lobby reminds her of an aging patrician matriarch: once beautiful and still formidable, but time-worn and washed out. The walls are mirrored and an ancient green carpet directs visitors around a massive oak table upon which sits a flower arrangement so large you can barely see the doorman in his navy blazer. He sits at a marble-topped desk, the polished brass buttons dotting his lapel a perfect complement to the brass trimming along the wainscoting. Wainscoting: this was one of many words she’d never spoken aloud, or knew of, before she moved into apartment 8F. Part of her education is living in the rarified sphere of wealth of the Carlton House (she didn’t know apartment buildings could have names that sounded like prep school dormitories); part of it is Hadley.